By CHARLES SIEBERTJAN. 28, 2016
nytimes.com | Jan. 28, 2016
Lindner, a 59-year-old native of Queens, N.Y., knew little about parrots when she first came to Los Angeles in 1976 to finish college and go to grad school in behavioral sciences at U.C.L.A. Then one day in 1987, a week before Christmas, she received a call from a friend who knew of her deep affection and affinity for animals. ‘‘He was looking for someone to take this female parrot he heard about named Sammy,’’ Lindner recalled. ‘‘She was living alone in a Beverly Hills mansion. The owner had put the house up for sale and decided to leave Sammy behind. The bird matched the place’s décor, and he thought the new owners might like that. He was sending his driver over once a week to feed her. When I went to get her, the feces in her cage were piled up in a pyramid that reached her perch.’’
The following year, Lindner started a private practice in Westwood and began to do pro bono work with the increasing number of homeless veterans she encountered in the community, many of them living at that time in encampments under the nearby 405 freeway while awaiting appointments at the West Los Angeles V.A. medical center. Overwhelmed by their stories, she began devoting herself full time to veterans, eventually enlisting the backing of the state to head a nonprofit homeless-veteran-rehabilitation program, known as New Directions, at a residential treatment center.
Spending more and more time at work, Lindner soon decided to take in another orphaned cockatoo named Mango as a ‘‘flock mate’’ for Sammy. Before long, she was tending to both New Directions, which was relocated in 1997 to a newly refurbished building on the grounds of the V.A. center, and a sanctuary for homeless parrots that she started that same year with a friend on a four-acre plot an hour-and-a-half drive north in Ojai. One morning, near the end of 1997, Lindner found herself leading yet another veterans’ group-therapy session that was getting nowhere.
‘‘The guys are sitting around, all stoic, arms crossed, not saying anything,’’ she recalled. ‘‘They’d been like that for a number of weeks. So for a change, I took them up to Ojai to help build some new aviaries there. All of the sudden these same tight-lipped guys are cuddling up to the parrots and talking away with them.’’
Lindner was soon repeating the same exercise with other veterans. The transformations she saw in both species were so pronounced that she promptly set about persuading the V.A. to allot her the grounds of an old outdoor basketball court just down the hill from the medical center so she could move the birds from her Ojai sanctuary and start a work-therapy program there. (Veterans are paid a stipend to work in the sanctuary; some, like Love, volunteer their time.) She began with two 25-foot-high aviaries; there are now nearly two dozen. Some hold as many as three or four birds, like Kiki, Phoebe and Dino (a.k.a. the Three Stooges), a now inseparable troika of umbrella cockatoos who spend their days cuddling and grooming one another. Others contain just one bonded pair like Mandy and Kookie, a female and male eclectus parrot couple, a species native to the Solomon Islands, or Jester and Tango, one Harlequin and one green-wing macaw, who never leave each other’s side. And then there are the quarters of the inveterate loners, birds still caught somewhere between their inherent, wild selves and their captive ones: Cashew, Bacardi or Julius, who is afraid of other parrots because, as Lindner explained, ‘‘he doesn’t think he is one.’’
As I stood talking that day with Lindner, who is warm and effusive, with long blond hair and bangs, I watched Jim Minick, a former Navy helicopter-squadron member who did three tours of duty overseas and suffered severe upper-body injuries in a fall from his chopper, get his fingernails cleaned by Bacardi, the blue-and-gold macaw. In another enclosure, Jason Martinez, a wheelchair-bound Army veteran, sat alongside Molly, an African gray, resting on her perch, the two of them just staring at each other.
Love approached. She was holding an elderly Goffin’s cockatoo named Bobbi, a bird kept most of her life by her owner in a kitchen drawer. She looked like a tiny plucked blue chicken, her only remaining plumage some straggly wing and tail feathers and a frayed skull cap of the ones she couldn’t reach with her beak to mutilate. Love held Bobbi aloft on her index finger and then went dashing down the path between the compound’s two rows of aviaries, shouting, ‘‘Fly, Bobbi, fly,’’ giving her fruitlessly flapping charge at least the semblance of flight.
‘‘You can look in their eyes,’’ Love said, returning with Bobbi, ‘‘any of these parrots’ eyes, and I myself see a soul. I see a light in there. And when they look at you, they see right into your soul. Look around. They’re all watching. They notice everything. It’s intense.’’
I turned to take in a multitiered array of stares, feeling at once beheld and uplifted by creatures a fraction of my weight. I couldn’t place it at first, the slow-swiveling sideswipe of their gazes, the way they’ll dip their heads below their own bodies and then crane smoothly upward, like a movie camera pulling focus. And then it came to me: They reminded me of those C.G.I. velociraptors in films, except that the scales have turned to feathers and the stunted forelimbs to vibrant wings. Time, all at once, lurched wildly backward and ahead, depositing me right back where I’d been, in that moment, and yet deeper and more present.
‘‘God is a parrot,’’ Love said. ‘‘I know that now. God supposedly interprets and mimics what we do on earth, right? Is a reflection of us? So I believe God, if she exists, must be a parrot.’’